Through the story of Diouana, a young Senegalese woman who enters the service of a French couple, Sembène sketches a precise and devastating portrait of exploitation disguised as benevolence. His austere visual style and elliptical narrative structure turn everyday gestures into indictments, showing how identity can be erased precisely within the most domestic of spaces. Sixty years later, the film’s moral force remains just as urgent, precisely because Sembène shows how colonial relations do not disappear with independence, but continue to shape language, labor, ownership, and the intimate relations of everyday life.